I feel like the themes of deceit and falsehood were part of your music even before “Phony” came out.
Looking back, I think that I started using a composition approach where the vocals would draw the listener in themselves, to make the vocals stand out more. There’s a lot more data than there is with Hatsune Miku. With KAFU, though, breathing is put in automatically. You have to express things like breathing and falling tones by using notes. Also, until then, most of the songs I made were made using Hatsune Miku, but the only information that Hatsune Miku works with is melody and voice. Tsumiki: I thought that approach would be more universal. Looking back, why do you think you were trying to change your music that way?
